G. R. Naidoo © Baha, Mkhumbane, 1960

The Photography Legacy Project in partnership with ASPIRE ART AUCTIONS

The ASPIRE X PLP African Photography Auction is currently open for online bidding online until 5 November.

In support of the Photography Legacy Project (PLP), Aspire Art Auctions presents a special auction of photographic works by some of the most notable South African photographers and their pan-African counterparts.

In this first-ever African photography auction on the continent, a dynamic collection of  126 works, spanning the terrain between historical and contemporary African photography, is offered to support the digitisation of African photographic legacies by the PLP. While the PLP’s primary objective is to create an easily accessible and reliable archive for education and research, the organisation also aims to raise the profile of African photography globally.

Nipah Dennis, Winneba Beach, Ghana, 2019Nipah Dennis, Winneba Beach, Ghana, 2019.

HIGHLIGHTS

Of major significance is a portfolio of 12 silver gelatin prints presented by the Ernest Cole Family Trust of Ernest Cole’s, once thought lost, archive. The portfolio, from his seminal 1967 book, House of Bondage, is part of Cole’s recovered legacy.

Ernest Cole, Earnest boy squats on haunches to follow lesson in heat of packed classroom, Gauteng [Transvaal], South Africa, c.1965 (from The House of Bondage)Ernest Cole, Earnest boy squats on haunches to follow lesson in heat of packed classroom, Gauteng [Transvaal], South Africa, c.1965 (from The House of Bondage).
Ernest Cole, Tough talk and marijuana. These are tsotsis, youths who have turned to crime rather than work as white men's garden boys or messengers – the usual jobs available to young blacks, Gauteng [Transvaal], South Africa, c.1965 (from The House of Bondage)Ernest Cole, Tough talk and marijuana. These are tsotsis, youths who have turned to crime rather than work as white men’s garden boys or messengers – the usual jobs available to young blacks, Gauteng [Transvaal], South Africa, c.1965 (from The House of Bondage).

Other photographic luminaries such as David Goldblatt, Alf Kumalo, the photographers from Drum magazine including Bob Gosani, G.R. Naidoo, Ranjith Kally and Ian Berry, as well as the contemporary internationally acclaimed photographers like Guy Tillim, Kiluanji Kia Henda, Jodi Bieber, Jo Ractliffe, Emmanuelle Andrianjafy, Syowia Kyambi and Mikhael Subotzky share their work with a diverse platform of creative talent.

Alf Kumalo, Hugh Masekela, 1956Alf Kumalo, Hugh Masekela, 1956.
G. R. Naidoo © Baha, Mkhumbane, 1960G. R. Naidoo, Mkhumbane, 1960. © Baha
Bob Gosani © Baha, The Americans, 1954Bob Gosani, The Americans, 1954. © Baha
Kiluanji Kia Henda, Objet Trouvé #1, 2016Kiluanji Kia Henda, Objet Trouvé #1, 2016.
Jodi Bieber, Sunday School, Nababeep, Northern Cape, 1999Jodi Bieber, Sunday School, Nababeep, Northern Cape, 1999.
Syowia Kyambi, Kaspale's Archive Intrusion / The Vortex iii, 2019Syowia Kyambi, Kaspale’s Archive Intrusion / The Vortex III, 2019.
Emmanuelle Andrianjafy, Untitled (From The Nothing’s in Vain series), 2015Emmanuelle Andrianjafy, Untitled, 2015. (From The Nothing’s in Vain series)

An impressive group of emerging photographers from South Africa, several of the Market Photo Workshop graduates, also feature. The auction further includes photographers from Sudan, Ghana, Senegal, Angola, Namibia and Kenya, including work from Sudanese photographer Ala Kheir’s Revisiting Khartoum series, and recent images by Ghanaian photographer Nipah Dennis.

Ala Kheir, Me and My Oud, 2016Ala Kheir, Me and My Oud, 2016.

There is a compelling contribution of vernacular studio and street photography from the project, The Other Camera. Increasingly, this genre of vernacular photography – encapsulated by the iconic images of Seydou Keïta and Malick Sidibé – is becoming rare and highly collectable. The once ever-present studio or street photographer, so prevalent throughout the continent, is a diminishing practice. The studio portrait that is deeply part of Africa’s photographic history, is being superseded by the quick fix mobile phone or selfie. The auction showcases some of these rare collections by photographers such as Ronald Ngilima and William Matlala.

Ronald Ngilima, Lovers, Wattville, Gauteng, c.1950sRonald Ngilima, Lovers, Wattville, Gauteng, c.1950s.

The collection presented in this auction can also, much like the PLP’s vision, be seen as a vehicle to recover, celebrate and present hidden and buried work of photographers who have stepped up to share iconic as well as new images.

The collection of photographs in the ASPIRE X PLP African Photography Auction is both diverse and fluid in its content and form: it encompasses a number of aesthetic forms and approaches from traditional to modern; it reflects the inevitable resonances of a troubled history, yet mirrors those who wish to see the continent afresh and unburdened from the past.

When poet and novelist Chinua Achebe was once asked about the notion of an African identity, he replied there wasn’t one, it was in the making. This auction is about African photography in the making. It provokes – as curator Okwui Enwezor has suggested of African photography – new readings and discoveries, somewhere between the past and present, as it embraces the future.

The ASPIRE X PLP African Photography Auction is live for online bidding until 5 November.

 View and download the catalogue: www.aspireart.net

 Register to bid: https://auctions.aspireart.net

An exhibition of selected lots is on display at Aspire’s gallery in Johannesburg. Viewings can be arranged by appointment.

*Proceeds of the fundraiser auction go towards the PLP and the participating photographers.

Background on the Photography Legacy Project

 The Photography Legacy Project (PLP) which has been in operation since 2019 has initiated an important visual heritage project to profile the significant contribution of major South African and African photographers. It does it in a climate where there is very little or no commitment on the part of African governments to the preservation of photographic heritage, either physically or digitally. Without sustainable commitment to the preservation of photographic heritage either physically or digitally, African photographic collections and archives remain perilously endangered. The PLP’s initiative is primarily to ensure that significant collections of African photography can remain on the continent and made widely accessible for education and research. It has begun with four South African photographers (David Goldblatt, Alf Kumalo, Ernest Cole and Ruth Motau) and has developed a portal of African archives and photographers. Please see www.plparchive.com.