Stan Douglas, A Luta Continua, 1974. Digital C-print mounted on Dibond aluminum, 128.3 × 128.3 × 6.3 cm. Image courtesy ofVictoria Miro Gallery London.

Notes on the making of the Dundo Museum collection

  Dundo Museum, Angola   It was from a discussion…
Nicola Brandt, Possession, Uakondjisa Kakuekuee Mbari, Namib Desert (2013), Digital Pigment Print, 73 x 100cm (paper size);  60 x 90cm (photo size), Edition of 3 + 2AP

What the Landscape Recalls

Articulating Scales of Violence in Landscape trauma in Namibia Nicola…
Babalwa Makwetu during the performance of Ndabamnye neenkumbulo nemiphefumlo enxaniweyo (I became one with memories and thirsty souls), 2017. © Tina Hsu

Curating the Colonial Crime Scene

Heritage & Violence of Ethnographic Racism “Sometimes…
Alia Ali, BORDERLAND series, 2017. © Alia Ali, courtesy of the artist.

ASIA: A Culture Alive

ART AFRICA, issue 08.   Asia. The name was a gasp from…
Daniel Halter – reference image, 2016

Haunting the past, haunting the future: China-Africa and the West

ART AFRICA, issue 09.   Africa is and has always been…

South Africa / The Week in Review

With the grand public opening of Zeitz MOCAA in Cape Town fast…

Fuck You Žižek!

Hamid Dabashi draws a sharp line in the sand between European…

The Irreducibility of Kongo Min'Kisi

ART AFRICA, issue 07. Guest Edited by Kendell Geers. Although…

Marche! Pour Toujours (Walk! Forever)

ART AFRICA, issue 07. Guest Edited by Kendell Geers. Issa…

ANOTHER ANTIPODES INAUGURAL EXHIBITION PRESENTS NEW WAVE IN AFRICAN ART

In an Australian first, Another Antipodes/Urban Axis exhibition…