Writing Art History Since 2002

A New Chapter
for Videobrasil

Led by founder Solange Oliveira Farkas, Videobrasil closes
its biennial chapter to reinvent itself as a living platform,
expanding residencies, exhibitions, and exchanges
that spotlight the Global South.

Death of
a Salesman

In Death of a Salesman, writer Adilson de Oliveira explores
how South Africa’s art fairs,once celebrated as cultural events,
now expose their own obsolescence when
commerce takes center stage.

Africa Takes
the Stage

Raphael Chikukwa and the National Gallery of Zimbabwe prepare
to host the 2026 CIMAM Annual Conference, a landmark event
positioning Africa at the forefront of global museum practice.

Where Global
Art Futures
Take Shape

From championing the Global South to reimagining digital frontiers,
Art Dubai has evolved into a year-round platform shaping
the UAE’s cultural infrastructure—while helping reframe
global art narratives.

Mapping the Infinite: Key Jo Lee on ‘UNBOUND’ and the Celestial Language of Black Imagination

Key Jo Lee, Chief of Curatorial Affairs and Public Programs at the Museum of the African Diaspora (MoAD), San Francisco, reflects on how 'UNBOUND' redefines Blackness through cosmology, science fiction, and ancestral vision David Alabo, The Boy Who Held the World on His Head, 2020. Archival pigment print on Hahnemühle photorag, 48" x 24" x 2". Courtesy of the artist... Read more

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