Shortlist announced for € 20.000 Henrike Grohs Art Award

Em’kal Eyongakpa (Cameroon), Georgina Maxim (Zimbabwe) and Makouvia Kokou Ferdinand (Togo) have been shortlisted for the first Henrike Grohs Art Award, conceived by the Goethe-Institut and the Grohs family. The winner will be announced on 6 March and awarded on 13 March in Abidjan.

 

 

Em’kal Eyongakpa, sound grown batch #5 blue oysters  at studio Efforbi II. Courtesy of the artist.Em’kal Eyongakpa, sound grown batch #5 blue oysters at studio Efforbi II. Courtesy of the artist.

 

Em’kal Eyongakpa is an intermedia artist who approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation. His recent ideas draw from indigenous knowledge systems and aesthetics, ethnobotany, applied mycology as well as technology.

Em’kal Eyongakpa (born 1981 in Mamfe, Cameroon) is an intermedia artist who approaches the experienced, the unknown, as well as collective histories through a ritual use of repetition and transformation. His recent ideas increasingly draw from indigenous knowledge systems and aesthetics, ethnobotany, applied mycology as well as technology in his explorations of the personal and the universal. Eyongakpa is also known for self-organised community research projects and autonomous art hubs like KHaL!SHRINE in Yaoundé (2007-2012) and the recently launched sound art and music platform ɛfúkúyú. He holds degrees in Plant biology and Ecology from the University of Yaoundé and was a resident at the Rijksakademie in Amsterdam.

Eyongakpa’s work has recently been exhibited at the Jakarta Biennale (2017), the 13th Sharjah Biennial (2017), La Biennale de Montreal (2016), the 32nd Bienal de São Paulo (2016), the 9th and 10th Bamako Encounters (2011, 2015), the 10th Biennale de l’art africain contemporain, Dak’art (2012) and at several international art spaces and museums around the world.

More information: https://emkaleyongakpa.blog/2018/01/09/untitled-thirty-seven-so- batu-intercepted-messages/

 

Georgina Maxim at her studio. Photographer: Cynthia R Matonhodze.Georgina Maxim at her studio. Photographer: Cynthia R Matonhodze.

 

Georgina Maxim’s work combines weaving, stitch work and the utilisation of found textiles creating objects that evade definition. The dresses are deconstructed, and at times reconstructed to find new ways of giving tribute to and reflection upon the person that owned the original garment.

Georgina Maxim was born 1980 in Harare, Zimbabwe. Maxim is known for both working as artist and curator with over a decade of arts management and curatorial practice. Maxim together with two other artists (Misheck Masamvu and Gareth Nyandoro) co- founded Village Unhu in 2012, an artist collective space that has been providing studio spaces, exhibitions, workshops and residency programs for artists – young and professional.

Georgina Maxim’s work combines weaving, stitch work and the utilisation of found textiles creating objects that evade definition. The dresses are deconstructed, and at times reconstructed to find new ways of giving tribute to and reflection upon the person that owned the original garment. Maxim describes it as ‘the memory of’. Currently, Maxim studies African Verbal and Visual Arts – Languages, Curation and Arts at the University of Bayreuth in Germany.

 

Diplome 9 Atelier de travail, Beaux Arts de Paris, Photo by Peter HoustonDiplome 9 Atelier de travail, Beaux Arts de Paris, Photograph: Peter Houston.

 

In Makouvia Kokou Ferdinand’s sculptural and performance work, he plays with borders and mixes memories, materials and cultural references. Building on traditional Mina culture, his gaze on contemporary society is unique, sometimes ironic and often moving.

Makouvia Kokou Ferdinand – a student at the École nationale supérieure des Beaux- Arts in Paris – shares his life and work between Lomé and Paris. Both his sculptural and performance work emanate from the personal experiences of the artist. He plays with borders and mixes memories, materials and cultural references. Building on traditional Mina culture, his gaze on contemporary society is unique, sometimes ironic and often moving. He is a recipient of the Dauphine Prize for Contemporary Art, the Young Talent Revelation Prize for Plastic Arts ADAGP as well as the Aurige Finance and the Amis des Beaux-Arts et Juvenars-IESA Prize. His work will be displayed at Du Salon Du Dessin in Paris (23-25 March, 2018), as part of a group exhibition at Anne de Villepoix Gallery during the first half of 2018 and in a solo show at Vincent Sator Gallery in April and May 2019.

 

The Henrike Grohs Art Award is a biennial prize dedicated to artists who are living and working in Africa and practicing in the field of visual arts. It recognises the lifetime achievements of the former Head of the Goethe-Institut in Abidjan, Henrike Grohs, who was killed on 13 March 2016 in a terrorist attack in Grand-Bassam, Côte d’Ivoire.

The prize “aims at strengthening artists and encouraging them in their quest for a world of togetherness and dialogue”, said jury members Koyo Kouoh (Artistic Director, RAW Material Company, Dakar), Laurence Bonvin (artist and representative of the Grohs family, Berlin), Raphael Chikukwa (Chief Curator, National Gallery of Zimbabwe, Harare) and Simon Njami (Curator, Paris).

 

About the Henrike Grohs Art Award:

“The Henrike Grohs Art Award is a biennial award dedicated to artists living and working in Africa. Yet the message sent goes far beyond the continent. It is a universal address, a call for reflection and action”, said the jury members Koyo Kouoh (Artistic Director, RAW Material Company, Dakar), Laurence Bonvin (artist and representative of the Grohs family, Berlin), Raphael Chikukwa (Chief Curator, National Gallery of Zimbabwe, Harare) and Simon Njami (Curator, Paris).

The prize recognises the lifetime achievements of the former Head of the Goethe- Institut in Abidjan, Henrike Grohs, who was killed on 13 March 2016 in a terrorist attack in Grand-Bassam, Côte d’Ivoire. The award intends to continue her special commitment to support artists in Africa and make a contribution towards international dialogue.

The award will be awarded biennially to an artist or an arts collective practicing in the field of visual arts. Artistic quality is the most important criteria for the award. Collaborative partnership, imparting knowledge to other artists and social engagement are decisive elements for recognition.

 

Henrike Grohs Art Award: Mission Statement:

“On 13 March 2016 in Abidjan, Côte d’Ivoire, Henrike Grohs was killed by the blindest hatred as she was spending time with friends at the beach. Two months before, a young photographer, Leila Alaoui, 32, was shot in Burkina Faso by the ‘same people’. Many more, too many more, have fallen simply because they were at the wrong place at the wrong time; simply because a handful of fundamentalists started a war of terror. We are facing troublesome times and it is our duty to refuse to surrender to fatalism. All those deaths must be transformed into something stronger than death, into something bigger than ourselves. Henrike was working for a better world. A world where, ‘a proud heart can survive a general failure because such failure does not prick its pride.’” (Chinua Achebe: Things Fall Apart).

The Henrike Grohs Art Award is established as an answer to all those who think that we cannot live together in a world where sharing would be the main aim. Where borders would have no meaning and where humanity would be the only matter to fight for – that is humanity as a whole, as something that cannot be destroyed and that remains untouched. The message is clear: we shall not surrender. We shall, as Henrike did, stand for what we believe in, without any compromise.

The award is dedicated to artists practicing in Africa. Yet the message that is sent is a universal address, a call for reflection and action. Art is probably the one field where no translation is needed. It is that universal language which transforms the ‘chaotic world of sensations’ that we all share, into forms of representations and relations. The Henrike Grohs Art Award aims at strengthening artists and encouraging them in their quest for a world of togetherness and dialogue. Art knows neither borders nor religion. It is the very expression of that flame that keeps us going, from North to South and East to West. It is the best expression of our unbreakable faith in our humanity.”

The Jury members Koyo Kouoh, Laurence Bonvin, Raphael Chikukwa and Simon Njami.

 

About Henrike Grohs

Henrike Grohs died on 13 March 2016 in a terrorist attack in Côte d’Ivoire along with seventeen other people. She studied ethnology and was Head of the Goethe-Institut in Abidjan from 2013 to her death. She co-founded the project “Next – Intercultural Projects” at the Haus der Kulturen der Welt in Berlin. Between 2002 and 2009, she worked as Project Manager in the Berlin Philharmonic Orchestra’s Education programme. In 2009, she was appointed Advisor on Culture and Development at the Goethe-Institut in South Africa. Henrike Grohs was 51 at the time of her passing.

 

About the Goethe-Institut

The Goethe-Institut is the Federal Republic of Germany’s cultural institute, active worldwide. Its mandate is to promote the study of German abroad and to encourage international cultural exchange. Today it is represented in 98 countries and has some 3,300 employees. It contributes widely to the promotion of artists, ideas and works. Supporting the local cultural scenes and strengthening pan-African dialogue through the arts are part of its mission on the African continent, where it operates 19 institutes in Abidjan, Accra, Addis Ababa, Alexandria, Cairo, Casablanca, Dakar, Dar es Salaam, Johannesburg, Khartoum, Kigali, Lagos, Lomé, Luanda, Nairobi, Rabat, Tunis, Windhoek and Yaoundé, as well as 3 liaison offices in Algiers, Kinshasa and Ouagadougou.